Sync Material – Photo Gallery/同步素材 – 案例照片

资讯源头:FIGU/ ‘Billy’ Eduard Albert Meier
资讯主题:同步素材 之 Billy Meier接触案例 – Photo Gallery

资讯来源:…(素材来源随图注释)
资讯链接:「Futureofmankind. James Moore」
http://www.futureofmankind.info/Billy_Meier/Photo_Gallery
文案中译:利昂小子
素材版本:Photo Gallery@20181203
推送类型:中文域-[中译]
资讯备注:这是一篇非正式且未经授权的中译版资讯,内容基于英文源版译制,请注意我们的译文可能存在错误。

Photo-Inventarium/照片盘点

Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004.
由’Billy’ Eduard Albert Meier和其他一些被选择的目击者,从1964年05月17日至2004年02月05日(期间)拍摄。

With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
藉此解释为什么BEAM(’Billy’ Eduard Albert Meier)是现时代的宣传者,与「Plejaren Federation/Plejaren联邦」接触的人,以及为什么他能拍到来自另一个世界的「Beamships/光船」的最佳照片,还有后者(「Plejaren Federation/Plejaren联邦」)为什么回来「Earth/地球」的原因。

参考链接:

http://shop.figu.org/b%C3%BCcher/photo-inventarium
https://shop.figu.org/sites/default/files/leseproben/photoinventarium_lesemuster.pdf
http://www.futureofmankind.co.uk/w/images/2/27/Through_Space_And_Time_Sample.pdf

Photobuch/Photobook/照片辑 

Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos (including 29 large format colour photos), size: 230mm x 297mm.
银色压花亚麻封面,4色印刷,线装订,122页,95张照片(包括29张大尺寸彩色照片),尺寸:230mm x 297mm。

参考链接:

http://shop.figu.org/b%C3%BCcher/photobuch
https://shop.figu.org/sites/default/files/leseproben/photobuch.pdf

In contrast to other UFO groups, which deal exclusively with the phenomenon of UFOs, for us the spiritual (geistige) and consciousness (bewusstseinsmässige) background occupies a much higher priority than all ufological concerns taken together.[1]
相较于其它专注于UFO现象的组织,对我们而言,探索精神和意识层面的背景…远比那些被世人所共同关注的飞碟学研究(本身)更为重要。-[1]

注释-[1]:

http://www.figu.org/ch/ufologie

Nevertheless, we cannot and don’t want to renounce the topic of ufology, especially since we have the world’s most extensive and best evidence that’s ever existed.
然而,这并不意味着我们能够或是想要放弃飞碟学研究的主题,特别是自从我们拥有这个世界上迄今为止(之前)从未存在过的最广泛且最佳的证据以来。

There is no UFO case on this Earth comparable to that of Billy Meier.
「Earth/地球」上没有其它任何UFO案例可以与Billy Meier的(接触案例)相提并论。

The extraterrestrial human beings that Billy Meier has been selected and prepared to communicate with and be educated by, have encouraged and assisted him to take over a thousand photographs and film recordings of their many different types of spaceships, beamships, high-technologies and personnel, as well as various other interesting and supporting things.
来自外星的人类生命形式选中Billy Meier,并与之接触并教导后者,鼓励并协助Billy拍摄了一千张照片和电影录音,以此记录了许多来自他们(注:Plejaren)世界的不同种类的太空飞船,光船,高科技以及接触使者,还有大量各种其它有趣和佐证的东西。

It’s a moderate, modest presentation considering what you’re looking at.
鉴于您正在或将要看到的内容,这将是一个善意且适宜的提示。

  • A crop from Billy Meiers photo used in promotion of the fantasy fiction television series X-Files, seasons 1-3.
  • 科幻小说电视连续剧《X-Files/X档案》(第1-3季)的推广海报中,就借用了Billy Meiers拍摄的光船照片…用于推广(这部剧)。
  • It’s proven a more popular image-crop amongst those that want to believe than amongst those that want not know for some reason.
  • 事实也证明,这版海报在那些想要相信(Billy案例)的人群中…远比那些因为某些原因而不想了解这些事(Billy案例)的人群中…更受欢迎。

Although often referred to as fake, and if fake surely nothing more worth knowing about it, Billy Meier’s photographs are used around the world in the press and on television as a means of illustrating reports of UFOs.
尽管(Billy的照片)经常被认为是伪造的,而且如果是假的就肯定不值得去了解,然而,Billy Meier的照片(却总是)在世界各地的媒体和电视中被用作讲述UFO(现象)的素材。

It’s significant that Meier’s copyright is regularly disregarded and in all these years he’s received only a few very small royalties and in about three cases.[2]
但有意思的是,Meier的版权却总是被人们经常性的忽视,事实上,这些年来他就只收到过几个非常小的版税,大约涉及三次接触案例。-[2]

注释-[2]:
http://www.figu.org/ch/ufologie

The more famous photos in the collection were taken in the 1970’s and early 1980’s.
该照片辑中十分著名的一些照片,拍摄于1970年代和1980年代早期。

One of which notably ended up being used for the original X-Files series 1-3 “I Want To Believe” TV poster in the 1990’s, which demonstrates how fiction is a stronger popular interest than non-fiction and how believing is more interesting than knowing, therefore regrettably that truth isn’t commercially viable and profitable.
其中一版照片,最终被特别用在了1990年代的《X-Files/X档案》系列(原版电视剧)的第1-3季“I Want To Believe/我想要相信”的电视海报上,这表明小说相较于非小说而言,更能引发公众的兴趣,且真相也远不及公众所认知的现实那般…更能提起大家的兴趣,由此,很遗憾的,真相在商业(领域)是不可行且无利可图的。

The lesser known non-famous images by BEAM and by those other photographers at higher resolutions, span a greater time-frame.
而那些由BEAM(’Billy’ Eduard Albert Meier)和其它目击者拍摄的高分辨率的非著名照片,反倒是经历了更长的时间跨度。

When the images from India are taken into consideration, from the 17th of May 1964 to the 5th of February 2004, and others even to the present day, when vessels from the wider Plejaren Federation are taken into consideration (however it all began much earlier in 1937).
从最初在印度拍摄的照片开始,时间从1964年05月17日一直到2004年02月05日;与此同时,考虑到那些来自泛「Plejaren Federation/Plejaren联邦」的飞船时,这个时间甚至可以截止到当前(尽管所有这一切早在1937年的时候就已经开始了)。

The collection includes other interesting things including; archaeological discoveries, drawings, event related happenings, natural and unnatural formations, experiments, geographical imagery, universal symbols and imagery related and in support of specific explanations in the Contact Reports.[citations needed]
该照片辑还包括其它一些有趣的东西,有考古发现、绘画、相关事件记录、自然和非自然的物质、实验、地理图像、通用符号以及与接触报告相关并为其提供具体解释的图像。

Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20th century.
所有这些都已经深深沉浸在历史的记忆之中,直到二十世纪下半叶,它们被首次正确地记录下来。

When we consider the tied-in events i.e. mission associated with ancient times,[citation needed] within at least what we from our perspective designate as ancient.[citation needed]
当我们思考某些关联事件时,比如与古代相关联的某个使命时,至少从我们的角度出发,我们会称那些时代为“古代”。

The collection isn’t particularly clear in terms of origination, context and/or descriptions with the images.
在涉及图像的来源、背景和/或描述(等)方面,该照片辑记录的并不十分清晰。

There are several dubious images which have been woven in, some supportive, others not so much.[citations needed]
有些尚存在争议的图像被编入其中,有些可以被支持,但其它一些则没有那么确定。

Its generally accepted that the independent studying person will be on their own, to make up their own mind about which is which and what is what for themselves.
通常情况下,独立学习的人士将能够依靠他(或她)自己,做出自主决定,对他(或她)而言,哪个是哪个以及什么是什么。

Billy was not the first nor last to photograph beamships but is the only in the world to have any quantity.[citation needed]
Billy不是第一个也不会是最后一个拍摄光船的人,但他却是世界上唯一一个拥有大量(成体系)照片的人。

Ufology is as big as it is today after just a few decades, not exclusively because of him, but because of a Plejaren Federation and Andromedan High Council decision for limited but open disclosure in the 20th century.[citation needed]
正是得益于Billy的努力付出,以及「Plejaren Federation/Plejaren联邦」和「Andromedan High Council/仙女座最高议会」有关在二十世纪有限公开这些事实的决定,短短几十年之后,飞碟学研究领域已经获得了长足的发展。

We have been deemed mature enough for a small, lesser reveal, at this particular stage of our rapid history, because it’s always been as worldwide and openly-concealed as they’ve said it is,[citation needed] with at least 5 races in a large federation who have been known to quietly visit Earth for some time,[citation needed] and because their life expectancy is roughly 12x our life duration.[citation needed]
在历史迅速发展的特定阶段,我们被允许进行小规模、小范围的揭示,因为这些事(一个秘密周知却被禁声的事实:至少有5个人类种族参与的大型联盟,已经探访「Earth/地球」很长一段时间了)总是如世人所描述的那般,在全球范围内(被)公开地隐瞒了起来;除此之外,还因为这些外来人类的预期寿命大约是我们(「Terran/地球人」)的12倍。

They’ve therefore been able to oversee those rapid succession of developments and because Earth is known to have an ancient ancestral extraterrestrial heredity,[citation needed] and we’re in the midst of another civilisation restart[citation needed] in the lofty scheme of time.
因此,他们能够(长期)监督这里快速演替的发展;还有,因为地球人众所周知地拥有某些远古外星祖先的遗传基因,由此,我们(「Terran/地球人」)正处在…在一个崇高的时代“重新崛起”为另一种文明的…新文明之中。

I suppose you could say it’s all been a big openly-concealed matter for a long time.[citation needed]
我猜你也许会说…这一直就是一个长久以来被公开隐瞒的大事件。

The gallery below contains selected images and represents a smaller quantity of the totality of all available imagery.
本图库包含所选的一些图像,也仅仅代表了所有(案例可用/相关)图像中的一小部分。

It’s become collectable and a hobby to read and study by many.[citation needed]
对许多人而言,查阅并研究它们,已经成为一种收藏(爱好)和喜好。

On the other hand Eduard’s claims have been widely characterised globally as fraudulent by carping scientists, sceptics,[3] and most ufologists (the UFO Community ideologically opposes the Meier Case); who say that his photographs, films, evidences etc., are tricks and story is too fantastic.[citation needed]
与此同时,在另一方面,Billy所宣称的事情又在全球范围内…被那些恶评科学家、怀疑论者广泛地评判为“不可信”;不仅如此,多数飞碟学研究者(在意识形态上反对Billy案例的UFO团体)更将Billy拍摄的照片、视频,相关证据等,说成是诡计和奇谈怪论。

Some find this layering interesting in and of itself.[citation needed]
有些人会认为这种“分歧”本身就很有趣。

The website does include some of those more sceptical analyses, it covers everything, however the FutureofMankind is mostly focused on the interesting published works, and presenting everything in a neutral way.
本网站(FutureofMankind网站)中确实存在一些对案例持质疑态度的分析,它涵盖所有内容,然而,FutureofMankind(网站)更多地还是将注意力放在了那些有趣的出版作品上,并以中立的态度呈现一切。

Other websites are available if your looking for a morbid even macabre tone,[citation needed] you won’t find those kinds of tones and approaches here.
针对那种“病态”甚至是“令人可怕”的言论口吻,您只能在其它网站找到,因为在这里(FutureofMankind网站),那种类型的言论以及处理问题的方式,是没有生存空间的。

The website is somewhat aligned[citation needed] to the FIGU itself (FutureofMankind is not an official FIGU website), which takes a no proselytising,[citation needed] calm, neutral approach to the sceptical.
本网站(FutureofMankind网站)与FIGU自身的网站有些相似之处(注:FutureofMankind并非FIGU的官方网站),那就是对怀疑论者,始终保有一种非传教性的、冷静的、中性的方式(/态度)。

For most and normal readers it has all been presented by FIGU beautifully, and most don’t need or have not needed analysts to know.
对绝大多数正常的读者而言,FIGU(事实上)已经很完美地呈现了这一切,且绝大多数读者并不需要知道这些,又或是通过分析去知晓这一切。

Frankly those who have found themselves reading the entirety of the works, have discovered that position of FIGU, of not proselytising; refreshing, honourable and on some level revealing, intriguing and enjoyable to continue reading.
坦率地讲,那些意识到自己正在阅读整部作品(所有相关资讯)的人士,(事实上)已经知晓了FIGU基于非传教性的、令人耳目一新的、光明的,并在某种程度上揭示的、(内容)迷人且适宜愉快阅读的…理念定位。

But no proselytising means you’ll have to decide for yourself what you think about it.
非传教性,意味着你必须自主决定自己的想法。

Besides, most are capable of finding out by themselves, that it’s possible to have a difference of opinion.[citation needed]
除此之外,大多数人都能自己发现,(不同个体的)意见总是存在分歧的可能。

The witnesses speak and think differently about it all than the television documentaries and silence from the authorities has lead that majority to perceiving it to be.[citation needed]
与电视纪录片相比,目击者对这些事的谈论和思考会有更多的不同;而当局的沉默,更使得大多数人(倾向于)认为这就是事实。

The story behind the photos is after all big.
毕竟,照片背后的这个故事实在太大了。

The hand-drawings of the Plejaren personnel (assigned to Earth and the tasks) at the more so forefront of the exchange, are by several sketch artists who have logically-embellished a more simple original drawing by the Plejaren themselves which Billy has then passed along.[citation needed]
那些在交流中被广泛使用的(被分配到「Earth/地球」执行任务的)Plejaren使者的手绘肖像,是由几位素描艺术家,在经由Billy传递的Plejaren自绘简易肖像的基础上,进行逻辑修饰得来的。

The drawings may therefore differ slightly and as they’re drawings are never going to be perfectly accurate like a photo.
因此,这些手绘肖像可能与真实人物略有不同,因为它们只是绘图,永远不可能达到照片那种完全一致的效果。

There is a slither of part of one of them with the hair and lazer showing.[citation needed]
这些手绘肖像中某一个的某些涉及头发和色泽显示的局部(效果),与人物真实的形象是有出入的。

The reason photos don’t show them has several reasons, among those reasons we are told is that by revealing their identity they would no longer be able to walk among us without being identified,[citation needed] and presumably facial recognition technologies may have even allowed authorities to track them,[citation needed] but the most important reason is ‘the might of thoughts and feelings’; being as numb as we are and them being as sensitive as they are; or else they wouldn’t be able to use telepathy;[citation needed] plastering their images all over the internet may have caused them various problems, being disturbed by all sorts of ignorant signals etc.[citation needed]
不在照片中显示Plejaren的原因有好多个,在这些原因中,我们被告知,通过揭示他们(注:Plejaren)的真实身份,他们(注:Plejaren)将无法继续在人群中行走而不被识别出来;想来,人类已有的面部识别技术甚至有可能让当局可以追踪到他们(注:Plejaren);但最重要的原因还是“思想和情感的力量”;我们的麻木和敏感,使他们(注:Plejaren)无法使用心灵感应;与此同时,将他们(注:Plejaren)的照片曝放在互联网上会给他们(带来)各种麻烦,并使其被各种无知的信息(等)所打扰。

If your looking for how a Plejaren looks, look at yourself, in a mirror, or at an average European, African or Asian.
如果你想要知道Plejaren长什么样,看镜子里的自己就好了,要么是普通欧洲人(的模样),又或是非洲人或亚洲人(的模样)。

That is another aspect covered in the Contact Reports, with the exception of the wider Plejaren Federation, where then there are several types of human that may look different even strange to us.
这涉及接触报告所提及的另一个方面,除了广泛的「Plejaren Federation/Plejaren联邦」外,宇宙中还有几种人类生命形式长得与我们有所不同,甚至在我们看来是很奇怪的样子。

It’s part of why it’s been an open-secret with open-evidence until the 20th century, because they’re waiting for us to realise what we are as independently as possible.
这也是为什么一直到二十世纪,所有这一切都始终只是一个基于公开证据的公开秘密的部分原因,因为他们(注:Plejaren)一直在等待我们尽可能独立地认知我们的真正起源。

Some of the images are of, near, or taken at the ‘Semjase Silver Star Centre’, SSSC.
有些照片是在「Semjase Silver Star Centre/Semjase银星中心」(即:「SSSC」)范围内,或是周边拍摄的。

They’re usually identifiable by the buildings, features and tree varieties etc.
这从照片中显示的建筑物、特征和树种等(细节),就能认出来。

Symbols of the Spiritual Teaching (Symbole der Geisteslehre), Books#Symbole_der_Geisteslehre.
精神教导的标识(“Symbole der Geisteslehre/精神教导标识”),精神教导的书籍/标识。

Nearer the bottom of the collection we’ve included a few of the symbols of the spiritual teaching from the book ‘Symbole der Geisteslehre’.
在该照片辑的末尾,我们加入了一些在“Symbole der Geisteslehre/精神教导标识”一书中所展示的精神教导标识。

The book contains 601 out of the total of 52,476,812 (52 and a half million) spirit symbols, which Billy has retrieved from the Storage Banks, which required a lot of effort for him.[citation needed]
这本书(“Symbole der Geisteslehre/精神教导标识”)包含有52,476,812(5250万)个精神符号中的601个,Billy付出很大努力才从「Storage Banks/存储(记忆)库」中提取出这些标识。

The more complex symbols might have been too difficult to convey.[citation needed]
那些更为复杂的标识,则难以被传达出来。

They are used in Spirit-Telepathy (not regular Telepathy / primary-telepathy), a fact which is explained in ‘Geisteslehre No. 17’, p.179.
它们被运用在「Spirit-Telepathy/灵性感应」(不是「Regular Telepathy/常规心灵感应」/「Primary-Telepathy/初级心灵感应」),有关于此的事实,在”Geisteslehre/精神教导”,第17章,第179页中有所解释。

In the introduction section of the book ‘Symbole der Geisteslehre’, p. XVI, Bernadette Brand describes the value of the symbols as a self-education tool.
在“Symbole der Geisteslehre/精神教导标识”一书的介绍章节,第十六段,Bernadette Brand描述了这些标识作为自我学习工具的价值。

“…..The symbols of the Spirit Teaching embody not only the concepts they represent, but they contain any of a whole universe of meanings. They generate in the person who deals with them, a new bond / attachment to the symbol and the idea for which it stands for. Occupying oneself meditatively on the symbols of the spiritual teaching in detail, from my own experience, causes an extremely valuable and helpful, self-knowledge, self-education and character development and personality development. The symbols accommodate not only nice and edifying or foreboding and awful ‘images’, but in themselves are very involved, and to deal with them radically and unreservedly, is informative and valuable…..”
“…精神教导的标识不仅体现了它们所代表的概念,还包含整个宇宙(所蕴含)的任何意义。它们在接受精神教导的人群中生根发芽,是标识的一种新纽带/附件,及其所代表的理念。从我的自身经历来说,全方位地对精神教导标识进行冥想,可以对自我认知,自我教育和性格发展,还有个性发展,产生非常有价值和有用的影响。这些符号不仅包含好的和启发性,或者预知性和可怕的“图像”,其自身也蕴含着许多,因此,让自己从根本上毫无保留地面对它们,是有益和有价值的。”

“…..With the feelings and stirrings they evoke in us when we inspect, perceive and deal with them, can be bit by bit a help to us on our stony and laborious path of evolution. Our reactions to the symbols are not neutral, but in fact shaped by our thinking and our personality.”
“…当我们观察、感知和面对它们时,这些标识就会唤起我们内心深处的情感和萌动,并在我们漫长而艰辛的进化道路上,一点一滴地帮助我们。然而,我们对这些符号的反应并不是中性的,事实上,这将由我们(各自)的思想和人格所决定。”

The ability to use Spirit-Telepathy is only available to those who have reached level 4[citation needed] and mastery of primary-telepathy may be a requirement which precedes this.
只有那些达到第四(进化)层级的人类,才会拥有使用「Spirit-Telepathy/灵性感应」的能力;而掌握「Primary-Telepathy/初级心灵感应」,则是在此之前(获得「Spirit-Telepathy/灵性感应」)的一个必要铺垫。

Billy mentioned[citation needed] that only a small percentage of individuals in the Plejaren Federation have developed the ability to use primary-telepathy,[citation needed] and that as far as Earth humans are concerned, our life expectancy is just a little too shy of the amount of time necessary to learn it.[citation needed]
Billy有提到在「Plejaren Federation/Plejaren联邦」中,只有一小部分人类进化到了有能力使用「Primary-Telepathy/初级心灵感应」的程度;但就「Terran/地球人」而言,我们的生命预期实在太短,根本达不到学习所必须经历的时间跨度。

Ptaah explained that one of their investigations[citation needed] indicated that Earth, on the whole knows some very basic, baby-shoes, consciousness-related-telepathy, but is some way off primary- and volitional telepathy.[citation needed]
Ptaah曾解释说,他们之前的一项调查表明,总的来说「Earth/地球」上只有一些达到非常基础、原始,与意识相关的感应水平的人类,但这与「Primary and Volitional Telepathy/初级和意念心灵感应」仍相去甚远。

The symbols represent a materialist / coarse material representation i.e. solid image in the visible light spectrum of the electromagnetic spectrum, of what is essentially and inherently pure-material and fine-material indigenously.[citation needed]
代表物质主义/粗物质表象的标识,比如:在电磁波谱的可见光谱中的实像,其本质代表了纯物质以及原生的细物质。

Which is probably an important fact to know.
这很可能是一个人类应该知晓的重要事实。

So what is the Billy Meier story about?
那么,Billy Meier的故事究竟是些什么呢?

Well opinions vary and you can make your own mind up about it by starting at the Contact Reports page.
众说纷纭,你可以从“接触报告”开始了解,并作出你自己的判断。

Some, asked to describe the story in one word as a good review, have called it a story of dependence.
有些人要求用一个正面评价的词汇来描述整件事,并将其称为”a story of dependence/一个‘取决’的故事”。


“a story of dependence/一个‘取决’的故事”:

Evolution by definition is dependant on the starting position.
根据定义,进化取决于起始位置。


It’s about the Plejaren being at the very top of the ladder of technological dependence.
这与身处…取决于技术发展程度的…进化阶梯巅峰位置的Plejaren有关。


About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder; like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to the relationship between developing-world-aid contributions from the developed nations and mass migration.
有关我们(如何)迈出这种“取决”的第一步,他们是否会帮助我们,使我们脱离原有的进化阶梯转而“取决”他们;就如同那些曾世代生活在「Earth/地球」上的外星人…在早期使尼安德塔人对他们形成的“取决”那样,直至这种“取决”转变成了另一种方式,这类似于发达国家提供的援助贡献…与(去往发达国家的)大规模移民之间的关系。


Dependence on their legal system to do any of what they’ve been granted to do.
取决于他们的律法体系赋予其可以做的任何事。


Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up.
取决于(不同的)阅读个体…其过往的经历、经济能力,以及他(或她)本人是否能够理解或重视这个故事。


Dependence on sensitivity and soundness of mind.
取决于阅读者是否有敏锐的感知以及健全的心态。


The Prophets dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it.
成就先知的…是他(或她)们所接受的教育;而对阅读者而言,则取决于他(或她)是否有能力…用它写的语言(即源文本)…阅读,以及是否有能力翻译这些文本。


Dependence on religion.
取决于宗教(信仰)。


Dependence on the internet being developed at the time it was.
取决于因特网在现时代的发展。


The mission dependant upon voluntary contribution.
取决于世人对这个任务的自愿性捐助。


Dependence on there being enough wealth generally; wealthy dependent on poor, poor on wealthy.
取决于是否有足够的一般性财富;富裕取决于贫穷,贫穷又取决于富裕。


Dependence on health.
取决于健康。


Dependence on the knowledge of the time.
取决于时间的知识。


Dependence on the group members stepping up to the task.
取决于小组成员(是否能够)加紧完成这项任务。


Dependence on the natural-laws, creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material.
取决于自然之法则、创造性的自然法则;取决于纯灵性的形式;取决于他们的祖先对细物质的认知。


Dependence on us sharing a very ancient ancestry with them.
取决于我们与他们共享同一个远古祖先。


Switzerlands dependence on foreigners.
就像瑞士对外国人的“取决”那样。


Dependence on our genetics limiting time through life-expectancy allowing the schedule to be manageable by them, and since ancient times.
取决于自远古时代以来,他们就通过改变我们的基因以限制我们的生命预期,从而使我们的远古先祖变得可控那样。


Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization.
取决于我们的无知;取决于那重启文明的远古灾难。


Dependency on the codex.
取决于那法典。


Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing, and the right one.
取决于我们不断学习的能力;取决于我们所犯的错误;取决于我们做的错事,还有正确的事。


We’re dependent on each other, and they’re dependent on each other, separate humanities.
我们取决于彼此,他们亦取决于彼此,取决于人文的独立。


It’s a story about many dependencies, depending on the readers perspective and the quantity of times they’ve read the archive.
这是一个涉及诸多“取决”关系的故事,取决于读者自身的领悟以及他(或她)们阅读这些档案的次数。

Q: What does this story matter?
问:“这个故事(究竟)有什么关系呢?”

A: Well assuming you’ve now read the story in the Contact Reports, which takes some years to get ones head around on it’s own, and your now on that secondary level of what does it matter. Then your probably ready to tuck into the real good advice which is all about making life better and being more successful at whatever you decide to do. It takes going through the story (of Earth and of life) in a similar way that it takes a child to go through school, for individuals to identify it and for it to stand out to them and be clear.
答:“假设你现在已经阅读了接触报告中的故事,这(显然)需要你花费几年时间才能让自己的大脑(最终)处理这一切,但是现在,你所提出的问题…说明你仍停留在只想要了解‘整件事有什么关系’的次要水平。然后,你会欣欣然地准备好接受某种在你看来是真正的好建议,后者会告诉你如何让生活变得更美好,以及无论你做出什么样的决定都会获得更大的成功(这样)。经历(有关「Earth/地球」和生命的)故事中的一切,有些类似于经历送小孩子上学的过程,首先…需要每一个人都了解这个故事,然后…才能以清晰的方式将这个故事展现在每一个人面前。”

Enjoy.
敬请欣赏。


REFERENCE
参考:

FIGU Strahlschiffe (UFO) Photo Gallery (German) (External)
http://www.figu.org/ch/ufologie/strahlschiffe

FIGU Filmaufnahmen (UFO) Video Gallery (German) (External)
http://www.figu.org/ch/ufologie/filmaufnahmen

Filmed in Switzerland by ‘Billy’ Eduard A. Meier with a Super8 camera, with the exception of the “Bachtel” footage, which was filmed with video camera.
除了使用视频摄录机拍摄的“Bachtel/巴赫特尔山”的镜头以外,所有的照片都是’Billy’ Eduard A. Meier使用一台8mm(胶片)相机在瑞士拍摄的。

The full video sequences were incorporated into the films “Contact from the Pleiades”, “Beamship: The Meier Chronicles” and “Beamship: The Movie Footage” and can be watched on youtube and other video sharing platforms.
完整的视频排序被归入了影片“Contact from the Pleiades/来自Plejaren的接触”,“Beamship: The Meier Chronicles/光船:Meier编年史”和“Beamship: The Movie Footage/光船:电影镜头”之中,并可以在Youtube和其它视频分享平台上观看。


Photo’s FAQ
有关照片的常见问答:

Q: Who took the photos?
问:谁拍了这些照片?

A: Most were taken by Billy Eduard Albert Meier, however a fair few were taken by other photographers, see description, reference, source, attached links etc., for all similar questions e.g. who is in the photo, location, investigation, publication etc.
答:绝大多数都是由Billy Eduard Albert Meier拍摄的,但也有一小部分是由其他摄影师拍摄的,详见说明、参考、来源,附加链接等,以解决所有与之相类似的问题,诸如:谁在照片里,拍摄地点,背景调查,出版等。

Q: What year were the photo’s taken?
问:这些照片都是在哪些年拍摄的?

A: It varies by image, between the 1960’s and 2000’s, most of the famous photos were taken in the 1970’s, for more info, it’s a similar answer as above, most photos have a lengthy documented story attached to them, research it some more.
答:不尽相同,时间跨度介于1960年代至2000年代之间,但大多数知名的照片都是在1970年代拍摄的,有关于此的更多信息,与之前的回答类似,大多数照片都附有一段详尽的背景说明,可以凭此获取更多信息。

Q: Why are there tree’s and objects in the foreground?
问:为什么在(目标物)前景中,有树和(其它)物体存在?

A: Billy was instructed to stand behind things to give the future investigators something to assess distances,[citation needed] with varying success.
答:Billy被指示站在一些物体后方进行拍摄,以此,为未来的调查者提供一些可供评估距离的参照物,事实证明这很成功。

Q: How many photos were taken?
问:一共拍了多少张照片?

A: Over 1500, however many were stolen, sabotaged at the local dark room where he had them developed or replaced to make him look a fool which he had to then withhold,[citation needed] but we have a sufficient quantity. Regarding the photo’s by other photographers and images of symbols and drawings etc, there is many more of those and we don’t host them all.
答:超过1,500张,然而,许多都在当地冲洗/置换照片的暗房里被盗或是被破坏了,这使Billy看起来像一个傻瓜,为此,他最终不得不放弃在外边冲洗照片,但我们(仍然)拥有足够数量的照片。置于由其他摄影师拍摄的照片…以及标识和绘画等的图像,数量更多,但我们并不全部拥有它们。

Q: When was the computer software photoshop invented?
问:计算机软件Photoshop是什么时候发明的?

A: Those types of photo editing technologies were developed some time in the mid to late 1980’s. If the question is related to the authenticity of the photo, see the decades of all sorts of different investigations that have taken place in the various links in the sidebar on the left of the website and the external links page has many additional websites on top of that which have investigated various aspects of it all. This is a good investigation: Analysis by Rhal Zahi second edition (PDF)
答:此类照片编辑技术是在1980年代的中后期时间里研发出来的。如果你的问题指向照片的真实性,请参阅网站左边栏的各种链接,它们包含了发生在数十年间的各种不同调查,还有在这些链接上方的涉及许多其它网站的外部链接,它们包含了各种针对Billy案例各个方面/环节的调查。(其中)有一个很不错的调查:“Analysis by Rhal Zahi/Rhal Zahi的分析”第二版(PDF)。

Q: How did Billy take these with one and half arms?
问:Billy是如何用一只半手臂…做到这些的?

A: It’s more difficult but still possible.
答:这很困难但并非不可能。

Q: How big are these UFOs?
问:这些「UFO/不明飞行物」有多大?

A: Most have about a 7 metre diameter at their widest, some are half that 3.5 and some are much larger than that, you will have to read the connected links and the Contact Reports is where the details of the photos are explained by Billy and Plejaren.
答:大多数「UFO/不明飞行物」的直径约为7米,有些则是7米的一半也就是3.5米,还有一些则比前边的两种大很多,有关这些照片的细节,你可以阅读相关链接和接触报告,里边有Billy和Plejaren的解释。

Q: Why am I attracted to and seduced by the trash-can water-butt lid?
问:为什么我会被垃圾储水桶的盖子吸引和诱惑?

A: It’s a lighter cognitive load and is gratifying.
答:这是一种轻度的认知障碍,这种认知确实会给当事者带来一些愉悦。

Q: Why is it only Billy who has such a large collection of UFOs?
问:为什么只有Billy才能拍到(/拥有)如此数量众多的「UFO/不明飞行物」照片?

A: That is a long explanation, Why Billy Meier? begins to answer it.
答:这需要解释很多,但你可以先从“Why Billy Meier?/为什么是Billy Meier?”那里寻找答案。

Q: I never knew about these UFO’s, I thought there were no UFO’s

A: There has been decades of suppression for lots of reasons, they don’t like what Billy Meier has said about them, he’s embarrassed many groups who probably slowed your way here. Now you found the photos, read the information.

Q: What are the spirit symbols?
问:什么是精神标识?

A: There is a description in the above sections extended reading area.
答:在前边的扩展阅读区,有针对该问题的一些描述。

Q: Why have there been scientific investigations?
问:为什么会有人对此做科学性的调查?

A: Because some folks want the truth, some don’t allow anything to stand in their way and the extraterrestrials are demonstrating how clever they are while simultaneously how they know the Earth humans are not critical, objective, nor sharp and are fettered in their beliefs etc.
答:因为一些人想要获知真相,另一些人则无法接受与之观点和逻辑相左的事物,与此同时,外星人却展现出他们有多智慧,以及他们是如何知晓地球人类并非批判性的、客观的,亦非尖锐的,且完全被束缚在他们自身信仰等之中的。

Q: I have taken my own UFO photograph and would like to share it?
问:我自己拍摄了一些「UFO/不明飞行物」照片,可以在这里分享吗?

A: Future of Mankind only hosts images which Billy Meier himself has seen, asked Plejaren about circumstances, had approved, commented on, included in a publication, the website hosts many such examples if you check. It is because we are honestly and sincerely not interested in the fraud of the ufology community.
答:Future of Mankind(网站)仅为那些Billy Meier亲眼见过…并向Plejaren询问具体状况…进而获得确认/授权的图像…提供展示平台,开放评论并将其包含在某篇出版物(文案)中,如果你有查询,你会发现我们的网站中其实包含许多这样的例子。这是因为我们对飞碟学研究始终秉持诚实和真诚的态度,但对那些欺诈性的行为没有一丝兴趣。

Q: How does Billy Meier type on a keyboard like a champion?
问:Billy Meier是如何像一个冠军那样在键盘上打字的呢?

A: He has written many Books. The typing speed doesn’t necessarily amount to computer literacy, the photos were taken before the personal computer was available, or interest in computer communication, he doesn’t email.
答:他写了许多本书。打字速度并不必然等同于电脑素养,那些照片是在个人电脑出现之前拍摄的,也不等同于对电脑沟通的兴趣,他不使用电邮。

Q: Why doesn’t Billy Meier feature in UFO documentaries?
问:为什么Billy Meier没有在「UFO/不明飞行物」纪录片中显露真容呢?

A: It’s too much reality than they’re prepared to take on, a commercial risk, because it’s connected to 6000 pages.
答:相较于准备承担的内容,这其实很难做到,因为这里涉及一个商业性的风险,毕竟,它涉及6,000页的内容。

Q: Why are these photos not on television?
问:为什么这些照片没有出现在电视上?

A: They have been on television at times, usually with no associated to FIGU and Billy Meier, and the copyright ignored, which has meant the audience hasn’t known where to find the information connected to it.
答:它们不时地出现在电视上,但通常都与FIGU和Billy Meier无关,版权被彻底无视,以至于观众们甚至都不知道该从哪里找寻这些照片的出处。

We can’t endorse the big UFO fraud documentaries because for every hoax Meier film made, we civilians are harmed indirectly.
我们不会支持大制作的欺诈性纪录片,因为每一个以Meier名义制作的恶作剧影片,都会给观看它的公众带去间接的伤害。

Billy has published military grade classified information inside, check, and subsequently for every hoax documentary produced, governments around the world realise they can get away with more, because it demonstrates our collective lack of objectivity.
Billy已经在其中公布了涉及军事等级的机密信息,随后,通过检查每一个被制作的恶作剧性质的纪录片,世界各地的政府意识到他们可以藉此更多地侥幸逃脱(真相的惩罚),因为这些恶作剧…表明了我们的集体是多么缺乏客观性。

We think it’s a shame a bigger television organisation has as yet been unable to pick it up impartially, and reason with it successfully, because there is information and unknown facts inside which would be beneficial, highly valueful and useful to many persons in their lives.
我们认为…(更大型的电视机构,至今都还不能做到公正地接受整件事及其成功的原因)…(简直)就是一个耻辱,因为整件事中所包含的信息和未知的事实(注:也就是真相),原本对许多人的生活都是有益的、非常有价值和有用的。

But we concede the intellectual challenge has always been way too far reaching for the team at an entertainments organisation to take on.
但我们也承认…让娱乐组织的团队参与智力挑战,总是不切实际的。

It is a presentation challenge for a film maker like no other.
对于一个电影制作人来说,这是一个无与伦比的演讲挑战。

We can however tell you after all these years of researching it all, that gradually over the decades it has piece by piece been ripped off (except telepathy). So the general public will eventually gain access to all those facts whether it takes longer (too long), only partially formed, or the author is credited or not, either way.
然而,经过这么些年彻底的研究,我们可以告诉你,在过去几十年中,它正被逐渐地一片一片撕掉(除了心灵感应)。因此,无论它是否还需要更长(很长)的时间,才能部分现形,又或其作者是否会被认可,无论以哪种方式,公众都将最终获知所有这些事实。

This is also probably why the Books are satisfying to read because it’s then the full story.
这也可能是为什么这些书籍读起来会令读者满意的原因,因为它是一个完整的故事。

Q: What is their position on intellectual property and its principles?
问:这些照片的知识产权及其原则的立场,是什么呢?

A: The photos are under copyright. The FIGU owns most of the images and is in a country which abides by intellectual property principles. If you are also in a country which acknowledges such concepts, rights and principles, then the correct thing to do (as you well know) is to send a copyright royalty to them if the photo is used in a commercial situation. That is the right way because it acknowledges the ownership, value of the work and person, their efforts, and is dignified, honourable, respectful of others, as well as many other good principled things which have allowed our nations to proceed in the format of a healthy independent negotiation. We could gather together several dozen examples of the photos being shown on television all over the world. He has only ever received very small royalties and in only three cases.
答:这些照片都有版权归属。FIGU拥有大部分的照片,并处于一个恪守知识产权原则的国家之中。如果你也在一个承认这种概念、权利和原则的国家之中的话,那正确的做法(正如你已知悉的那样)是,如果照片被运用于商业场景,那就应该给他们支付一笔版权版税。这才是正确的做法,因为它承认了工作和人事的所有权、价值,以及他们的付出;还因为它是厚道的、诚实的、尊重他人的,以及许多其他有原则的好事情,这些事情允许我们的国家以一种健康的独立谈判的形式继续前进。我们可以在全球范围内搜集到…这些照片在电视上被展示的…数十个例证。他(Billy Meier)只收到过很少的版税,而且只有三次。

Q: Why have you put the rubbishy discrediting photos at the front of the collection and the high resolution images are buried in some obscure page somewhere?
问:你为什么要把那些诋毁性的垃圾照片放在照片辑的正面,却把那些高分辨率的图片隐藏在一些不起眼的角落(/页面)呢?

A: They are all presented either here or somewhere nearby. The Future Of Mankind website is for individuals who are engaging a long term, interested study. With the photos, it will take some years for the Consciousness and Ratio to adjust, to be able to look clearly at what you’re looking at. Therefore the order and sequencing of the photos isn’t important here. But if you’re creating a presentation for the ephemeral, shallow interested, for persons with transitory concentration, then you may wish to select one of the more pertinent attention captivating photos for it. There has in the past been rhetoric used and they’ve been known to be beat around the bush (occasionally literally where the President Bush family were described long before), but on the whole the point is that it has not been an endeavour to try to convince the reader and audience, because that is the wrong way. The right way is that you research it all and make your own mind up.
答:所有的照片都放在这里展示。Future Of Mankind网站是为致力于长期从事(案例)兴趣研究的人士服务的。针对这些照片, 意识和理智往往需要几年的时间才能适应调,从而有能力看清楚你正在看的东西(究竟)是什么。因此,在这里展示的照片的顺序和时序并不重要。但如果你是为那些短暂、浅薄的兴趣者,为那些临时兴起的人士创建一份演示文稿的话,那你可能会希望为这个演示文稿选择一张更合适的引人入胜的照片。在过去,曾有人使用花言巧语,但人们都知道这些花言巧语是围绕Bush来的(这些言语在很久以前曾偶尔出现在对Bush总统家族的描述上),但整件事的重点在于:这并不是一种试图说服读者和观众的努力,因为这么做是错误的。正确的途径是,你对这一切进行研究,并做出自己的决定。

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