Asket and Nera Photos/Asket和Nera的照片

资讯源头:FIGU/ ‘Billy’ Eduard Albert Meier
资讯主题:Asket和Nera的照片

资讯参考:
> 「FIGU.ORG」
http://www.figu.org
> 「Futureofmankind. James Moore」
http://www.futureofmankind.co.uk/Billy_Meier/Contact_Report_031
http://www.futureofmankind.co.uk/Billy_Meier/Contact_Report_039
http://www.futureofmankind.co.uk/Billy_Meier/Contact_Report_264
资讯链接:「Futureofmankind. James Moore」
http://www.futureofmankind.co.uk/Billy_Meier/Asket_and_Nera_Photos
中译者A:N/A(繁体字部分)
中译链接:「Facebook. Rory」
https://www.facebook.com/billymeierchinese
中译者B:利昂小子(简体字部分)
推送类型:中文域-[转载&中译]
资讯备注:
这是一篇非正式且未经授权的中译版资讯,内容基于英(译)版资讯译制,请注意我们的译文可能存在错误。
该篇文本部分节选自互联网信息流,如涉侵权请相关方明确告知,我们会在第一时间配合处理。

American look-alikes on subsequently forged Billy Meier photographs
后被认为涉及伪造Billy Meier照片的美国相似者

Billy Meier: The End? The Swiss UFO contactee Billy Meier is finally exposed as a fraud. To this conclusion came an American TV Special, produced in collaboration with Meier critic Kal Korff. The presentation appears to be scheduled for worldwide broadcast in May 1998.
Billy Meier結束了!瑞士UFO接觸者Billy Meier最終被揭發為一名騙子… 這個結論來自一部美國電視特輯,與Meier的批評家Kal Korff聯合製作,該節目似乎計劃在1998年05月於全球廣播。并以這些話在1998年05月UFO Kurier雜誌第43期於這篇文章「Billy Meier──新的評論與自白」中展開。

The article claims that photographs of Asket and Nera, which Billy took inside a Pleiadian/Plejaran jumbo spaceship at 9 p.m. on June 26, 1975[1], are forgeries, every one of them. All of this is indeed correct—they are forgeries!—but the forgeries were viciously generated by someone else’s hand, not by Billy.
該文章聲稱Asket和Nera那張Billy在一艘Plejaren巨型飛船內於1975年06月26日-[注] 晚上09時拍攝的照片是偽造的,當中的一切。所有這一切確實是正確的,它們都是偽造的!但是那些偽造品的惡意製造都是出自他人之手,而不是Billy。

利昂注释:

此处时间标注应为“1975年07月17日”,但不知为何原作者却将其标注为了“1975年06月26日”。

Of course, the fact that Asket/Nera photos which, until now, were considered genuine, appear to be forgeries instead, has provided the perfect opportunity for Billy’s adversaries to pounce upon this information like vultures who intend accordingly to exploit the situation to the last drop. Finally, they believe, they have found something that exposes Billy as a fraud and which can be used to “blow the case out of the water.” It is their bad luck, however, that they did not take into account the truth, which, in reality, differs completely from what the self-proclaimed “debunkers” of the “forged Billy Meier photos” could have ever imagined or dreamed.
當然,事實上Asket/Nera這些目前為止都被認為是真實的照片,相反似乎是偽造的,已給Billy的對手提供了完美的機會在這些信息上大做文章,就像打算因此利用這情況而意猶未盡的禿鷹一樣。最後,他們相信,他們已經找到了一些東西,以此揭露Billy是一個騙子,並以此擊垮Billy。但是,他們的運氣不好,他們沒有考慮到真相,事實上,與自稱「偽造的Billy Meier照片」的「揭穿真面目者」所想像或幻想的完全不同。

In their frenzy to show off and make a name for themselves as “Billy Meier debunkers,” and without ever suspecting it, the two initiators who uncovered these forgeries set into motion significant repercussions. The consequences will prove extremely positive for the Billy Meier Case and will help countless people consciously realize the urgency, credibility, and extreme importance of the Billy Meier mission. At the very least, this turn of events will prompt many people to reconsider their personal investigation into this “case”.
在他們的狂熱中炫耀,並使他們自己因「Billy Meier的揭穿真面目者」成名而從未有過懷疑,那兩個發起人他們發現這些偽造的東西引發了顯著的迴響。結果將會極為正面地證明Billy Meier的個案,並會幫助無數人有意地認識到Billy Meier任務的緊急、可信和極端的重要性。最起碼,這起事態發展將會促使許多人重新考慮他們對這件「個案」的個人調查。

Kal Korff and Luc Bürgin apparently inaugurated a blood brotherhood in their quest to destroy Billy Meier. Together they have produced an interview with P., in which they, as usual, declared that FIGU is a sect and its FIGU membership is made up of Billy-faithful and Billy-followers. In May/July 1998 they intend to broadcast a worldwide TV special in which they will present to the world “Billy Meier, the fraud.” Through statements by P. who, in the meantime has attempted to support her own questionable credibility through several personal retaliatory campaigns, Korff and Bürgin believe they have unearthed an important witness and defamation source against Billy Meier. But they are simply forgetting that P. herself put down in writing several very important statements after she had witnessed her own experiences and the sightings, all of which she declared was the complete truth. Now, it seems, she simply is recanting her own written affidavits—and thus implicates herself as a liar.
Kal Korff和Luc Bürgin顯然在他們尋求摧毀Billy Meier中開創了一個血盟兄弟會。他們共同製作了一個與P.的採訪,其中他們,像往常一樣,宣稱FIGU是一個教派而且其FIGU成員由Billy的忠實成員與Billy的追隨者組成。在1998年05月至07月他們打算播放一部全球性的電視特輯,其中,他們會給世界呈現《Billy Meier,騙子》。透過P.的聲明,她在此期間曾試圖透過幾次個人的報復性行動以支持她那值得懷疑的公信力, Korff和Bürgin相信他們已經發掘出一個重要的證據以及誹謗源來針對Billy Meier。但是他們根本忘記了P.她自己寫下來的幾個非常重要的聲明,在她見證了自己的經歷並目擊後,她宣稱完全是真相的所有一切。現在,看起來,她乾脆撒回自己寫下的宣誓證詞──並因此暗示自己是個說謊者。

In the name of rendering a service to Billy Meier’s adversaries, Korff and Bürgin assume they have found the holy grail through these forged Asket/Nera photographs—but this is simply not the case. On the contrary.
以給Billy Meier的對手效勞的名義,Korff和Bürgin認為他們已經發現了制勝的法寶,透過這些Asket/Nera偽造的照片,但是,這完全不是這麼回事。正好相反。

The circumstances under which the manipulation of these photographs came about are truly outrageous. Yet, they provide clear evidence of Billy’s importance as a genuine contactee for the truly honest, searching, investigating, impartial people who are willing to learn. Likewise—because of his contacts with the extraterrestrial Pleiadians/Plejarans—his pictures demonstrate the danger he represents to certain scheming and cunning people, UFO debunkers, UFO terrorists, forgers of UFO material, and Billy Meier adversaries.
在這些照片的操縱之下產生的情況確實離譜。然而,它們卻對那些真正誠實、去找尋、去調查、不偏不倚、願意去學習的人清楚地證明Billy作為一個真正接觸者的重要性。同樣地──由於他與外星Plejaren的接觸──他的照片顯示出他所指出的某些詭計多端和狡猾的人、UFO揭穿真面目、UFO恐怖分子、UFO材料偽造者與Billy Meier的對手的危險。

Here then are the facts: Photographs, which actually should have shown the images of Asket and Nera inside a spacecraft, were manipulated in 1975 by S., a photographer who claimed he was from the Rhinevalley region in Switzerland. By retouching, recopying, and “sandwiching” separate sequences, S. adapted and arranged the photos to look the same as Billy’s originals (which no longer exist now). These forgeries were done so perfectly, that not even Billy noticed the adulterations over the past 23 years, since the two female look-alikes in the photos have an extremely close resemblance to Asket and Nera, right down to the last detail.
在這裡,隨後是這些事實:這些照片,事實上應該顯示Asket和Nera在一艘太空飛船內的影像,於1975年受到S.巧妙地篡改了,一名聲稱他來自瑞士Rhinevalley地區的攝影師。透過潤飾、重新複製並「夾入」不同的序列,S.修改並整理這些照片以致看起來就像Billy原本的照片(已經不復存在)一樣。這些偽造品的製作很完美,甚至超過23年Billy也沒有發現到這些摻雜,因為在照片中那極相似的女性與Asket及Nera擁有極其接近的相似之處,甚至是每一個細節。

In the 39th Contact Report, which was recorded at 1:37 a.m. on December 3, 1975 (see Semjase Contact Report Block #4, page 623 of the German edition with the brown cover), Ptaah pointed out that two women who look much like Asket/Nera live in the USA:
在1975年12月03日凌晨01:37記錄的第39篇接觸報告中(見Semjase接觸報告卷#4,德文褐色封面版第623頁),Ptaah指出兩名看起來很像Asket和Nera的女子生活在美國:


Ptaah:
It was rather extraordinary that you were given permission to take photos of Asket and Nera, since we have discovered terrestrial females who resemble them very closely and who, interestingly enough, also work together in a community of interests.
你得到拍攝Asket和Nera照片的准許是相當特殊的,因為我們已經發現兩名與她們非常相似的地球女性,而她們,有趣的是,也同樣在一個利益共同的團體一起工作。

Billy:
Boy, that’s a shame.
老兄,這是一個恥辱。

But the women, the doubles of Asket and Nera, where are they?
但是那兩個女性,Asket和Nera的複雜品,她們在哪裡?

Ptaah:
In Americaland.
在美國。

Billy:
Can you tell me their address and other details about them?
你能告訴我她們的地址以及關於她們的詳細資料嗎?

Ptaah:
I would rather not do so for various reasons.
由於各種原因我不會這麼做。


In the autumn of 1984 Asket ordered reprints of the photos Billy had taken, and upon their receipt, she declared that they were forgeries. As a consequence of his grave accident two years prior in 1982, Billy was no longer able to remember these important points, which were not recorded in writing during the years immediately following his accident. That’s the reason how this situation could have transpired over the many years and why Billy simply overlooked the circumstances surrounding the forgery of these photographs. His oversight was completely due to his life-threatening state of health at the time, which was linked to partial amnesia. Otherwise he would have, beforehand, taken the appropriate measures against these forging schemes by the “Men in Black” organization and against Mr. S., the photographer.
在1984年秋Asket下令重印Billy拍攝過的照片,在收到它們之後,她宣布它們都被偽造!由於兩年前(1982年)的重大事故,Billy已不再能夠記得這些重點,那些在其事故之後的幾年間並沒有以書面形式記錄下來。這就是這個情況得以發生許多年的原因(注:Billy一直沒發現相片真偽的原因),以及為何Billy根本就忽略了圍繞這些照片的偽造的情況的原因。他的疏忽完全是由於他的健康處於危及生命的狀態,與部分失憶有關。否則,事先,他會採取適當的措施對抗這些由「黑衣人」組織所打造的計劃,並對抗那名攝影師S.先生。

Now, for the first time and through the efforts of Billy’s assiduous adversary Kal Korff and his team, some photographs have turned up which depict the two American look-alikes during a TV Show who were mentioned in the 39th Contact Report. Both young women performed together with a dance group in the 1970s, just as Ptaah had stated in 1975. Old recordings still exist of the two as they performed on a Dean Martin TV Show. Single shots from this American TV performance were utilized by photographer S. to manipulate Billy’s pictures to the point were they no longer depicted Asket and Nera but the two young performers—Asket and Nera’s look-alikes. This scheme was expedited when the “Men in Black” found the two doubles in America and used them to misappropriate the photographs from the TV program for these malevolent machinations—probably even without the women ever knowing about the adulterations of the pictures.
現在,首次並通過Billy的對手Kal Korff與其團隊的刻苦努力,一些在一個電視節目期間描繪兩位外觀極似的美國人的照片已經出現,她們在第39次接觸報告中被提到。兩名在上世紀70年代在一個舞蹈團一起演出的年輕女性,正如Ptaah在1975年所指出一樣。兩人的舊錄像仍然存在,她們在一個Dean Martin的電視節目中表演。來自這個美國電視表演的單拍受到攝影師S.利用來巧妙修改Billy的照片,以至到它們不再描繪Asket和Nera的地步,而變成那兩名年輕的表演者──外表與Asket跟Nera極相似者。這個計劃被加快了,當「黑衣人」在美國發現了那兩名複製品時,並為了這些惡毒的陰謀利用她們挪用來自電視節目的照片──恐怕甚至是那兩名女性也從不知道照片的摻雜。

美国节目中外貌酷似Asket和Nera的女性

And yet, it would be inappropriate to launch any accusations against photographer S. According to information provided by Ptaah at 0:55 a.m. on May 14, 1998, S. was very harshly threatened and pressured by the “Men in Black” into adulterating Billy’s photos on their behalf. Mr. S. had no alternative other than to comply with them.
然而,發動任何針對攝影師S.的指控是不恰當的。根據1998年05月14日凌晨0:55由Ptaah提供的資料,S.受到「黑衣人」非常嚴峻的威脅,被迫代表他們摻雜Billy的照片。S.先生除了遵從他們之外沒有其他選擇。

The “Men in Black” seemed to speculate that the altered pictures, and the doubles shown in these forged photos, would eventually be discovered more than two decades later by Billy’s adversaries and be used against Billy. The objective was to publicly present them as forgeries and to then debunk Billy as the fraud behind the scheme.
「黑衣人」似乎推測到,這些更改了的照片以及那兩位在這些偽造的照片中展示的複製品最終會在超過二十年後被Billy的對手發現,並被利用以對付Billy。其目的是當作偽造物來公開地展示它們,並隨後揭穿Billy,作為計劃背後的詭計。

Since the “Men in Black” organization could not get to Billy personally after eleven assassination attempts, they severely pressured others who worked with him—such as the above-mentioned photographer S.—into discrediting Billy. And so they planned their long-term schemes and defamations in great detail, with the result that the consequences of their machinations would not show up until much later. To this end, the “Men in Black” forced S. to produce the forgeries of photos Billy had taken with permission of the Pleiadians/Plejarans. On several occasions S. either completely forged the actual pictures he had received from Billy or he replaced them with forgeries. In this manner Billy frequently received false negatives or forged photos from S. even from the time of his initial contacts with the Pleiadians/Plejarans. Photographer S. has died in the interim and can, therefore, no longer provide any details about these machinations.
由於「黑衣人」組織在十一次暗殺企圖之後無法再當面接觸到Billy,所以他們嚴厲地打壓與他共事的其他人──例如上述的攝影師S.──以抹黑Billy。所以他們非常詳細地制定了長期的計劃和誹謗,其結果是,他們的陰謀詭計直至很久以後才出現。為此,「黑衣人」強迫S.製作Billy在Plejaren許可下所拍攝的照片的偽造品。好幾次S.要麼是完全偽造他實際上從Billy那接收到的照片,要麼他就以偽造品取代它們。在這種方式Billy經常從S.那裡收到虛假負面或偽造的照片,甚至是從他與Plejaren初次接觸之時開始。攝影師S.在此期間已經去世了,所以,關於這些陰謀不能再提供任何細節了。

Never was it easy for Billy Meier to find a trustworthy photographer, one who would be ethical about developing the UFO photos without altering them. Even after the pictures were developed, Billy’s photos were not safe from ignoble encroachment by others because those who were entrusted with their safekeeping, such as H.S., adulterated them and then handed out these altered photos as far back as the early contact days. For this reason we, to this day, possess forged pictures which others unknown to us had manipulated in an extremely amateurish way by adding threads and suspension devices to them at later dates.
對於Billy Meier要找到一個值得信賴的攝影師從來都不容易,一個在沖洗不明飛行物照片方面誠實可靠而不會更改它們的人。即使在影像被沖洗之後,Billy的照片對於受到其他人卑鄙的侵占而言還是不安全的,因為那些受到委託保管它們的人,例如H.S.,也都摻雜了它們,並隨後追溯至在接觸的早期就分發了這些修改過的照片。出於這個原因,我們,到今天,擁有那些偽造的照片已由不為我們所知的別人修改過,以一個極其業餘的方式,透過在稍後的日子添加一些線和懸掛裝置到它們當中。

The earliest photos, which document the first contact with Semjase and were taken on January 28, 1975, in Frecht near Hinwil, were developed by photographer Walder in Hinwil.
最早的照片,第一次與Semjase的接觸記錄,於1975年01月28日在Frecht鄰近Hinwil拍攝,由攝影師Walder在Hinwil沖洗。

Billy在与Semjase的第一次接触中拍摄的光船照片
[1975.01.28]

Soon afterward a certain Mister S. appeared in Hinwil where Billy Meier lived at the time. In fact, FIGU still has a picture of this man in its files.
不久之後,某個S.先生出現在Hinwil,Billy Meier當時生活在那裡。事實上,FIGU還有這名男子的照片在其檔案之中。

Mr. S. was at the time approximately 65 or 70 years old. He told Billy that he had heard of him, had received several Billy Meier UFO photos from a friend and that as a photographer he was, of course, particularly intrigued by the pictures. During the conversation with Billy, Mr. S. insinuated he had his own photo store and offered to develop Billy’s UFO pictures. This was the beginning of a nearly 18-month long association during which Billy Meier, in a number of instances, was never given back his original pictures. Mr. S. never told Billy where exactly he had come from nor what his current address was nor any other personal details. He covered his background up by saying that his wife must never find out about his contacts with Billy Meier, for fear she would make ‘things very difficult’ for him if she ever found out he was offering help to Billy.
S.先生當時大約65或70歲。他告訴Billy,他聽說過他,從一個朋友手上收過幾張Billy Meier的不明飛行物照片,當然,作為一個攝影師他特別受到照片的吸引。在與Billy談話期間,S.先生暗示,他有自己的照片商店可提供予沖洗Billy的不明飛行物照片。這是一段接近18個月長的結交的開始,Billy Meier在一些情況下,從未收到他原有照片的歸還。S.先生從來沒有告訴過Billy他到底來自哪裡,也沒有說過他現在的住址,也沒有任何其他的個人資料。他透過說一定不能讓他的妻子發現他與Billy Meier接觸為由掩蓋他的背景,說是因為擔心她會「把事情變得非常糟」,如果她發現他給Billy提供幫助的話。

One day S. disappeared without a trace and since then never contacted Billy Meier again.
有一天S.消失得無影無踪,從此以後就再也沒有聯繫過Billy Meier。

While still acquainted with S., Billy found Mr. Bär, a photographer and TV merchant in Wetzikon and Bauma, a trustworthy person who developed Billy’s UFO photos with a kindly attitude and who once stated the following about Billy’s pictures: “I don’t know anything about UFOs, but the photos are real. You could put me before any court of law and I would tell them the same thing.”
在結識S.的同時,Billy也找到了Bär先生,一名Wetzikon和Bauma的攝影師和電視商戶,一個值得信賴的人,他以和善的態度沖洗Billy的不明飛行物照片,而且他曾就Billy的照片說過以下的話:“我不知道任何關於不明飛行物的事,但照片是真實的。你可以把我放到任何法庭面前,我會告訴他們同樣的事情。”

Another claim regarding the Asket/Nera photos by the assiduous antagonists, as published in No. 43 of the UFO-Kurier, dated May 1998, is that Billy allegedly photographed his pictures during the Dean Martin Show directly from the TV monitor—which ties into one point all the intentions by the “Men in Black.” And yet, this would be such an elementary form of forgery that not even the most idiotic pseudo-contactee would think of it. This obvious lie would probably be noticed even by a child and most certainly by the millions of viewers who had watched this TV production if the photographs, taken from the TV monitor, were suddenly shown in public.
關於Asket和Nera的照片,另一個由刻苦的反對者作出的聲明,在UFO-Kurier 43號發布,日期為1998年5月,內容是Billy涉嫌在Dean Martin節目期間直接從電視螢幕拍下他的照片──這聯繫到一點,所有「黑衣人」的意圖。然而,這種偽造方式是這樣的基本,即使是最白痴的偽接觸者也不會想到這種方法。這個明顯的謊言甚至一個孩子也可以注意到,而且肯定會被數以百萬計看過這個電視節作品的觀眾注意到,如果這些來自電視螢幕的照片被突然公開展示的話。

Worth mentioning is another point, namely, the manner in which Billy Meier’s first photographs came into being:
值得一提的是另一點,也就是,Billy Meier的第一批照片應運而生的方式:

Billy拍摄用的Olympus 35 ECR相机

His first photos were taken with an old Olympus 35 ECR camera, which he, as a one-armed man, was able to utilize problemfree with only one hand. He bought this somewhat dilapidated camera (its aperture ring was stuck in one position) from his brother, Gottlieb Meier, in January 1975 for CHF 50.–. If, as claimed, the photos had been taken from a color TV monitor in the 1970s, any enlargements of the picture would invariably also show the 3-color grid of the cathode ray tube, which would show the colors blue, green and red arranged in three dots. This fact was previously investigated by our photo technician, a printing specialist who worked with tenfold enlargements and other enlargement tasks.
他的第一批照片以一部舊Olympus 35 ECR相機拍攝,他身為一個獨臂男子也能夠毫無難度地單手運用。他從他的兄弟Gottlieb Meier那裡買了這部有些破舊的相機(它的光圈環被卡在一個位置),在1975年01月,花了50瑞士法郎。如果,如所聲稱一樣,這些照片是在1970年代從一部彩色電視屏幕中拍攝而來,圖像的任何放大都會顯示出陰極射線管的3色網格,那會顯示出藍色、綠色和紅色以三個點排列。這個事實是我們的照片技術人員以前調查出來的,一個印刷專家,他的工作是十倍放大和其他放大的任務。

In order to produce photo-sized pictures from a TV unit, Billy would have had to place his Olympus camera directly in front of the TV, since this simple camera possessed neither an automatic light meter nor a zoom lens.
為了從一部電視機生成照片大小的圖像,Billy將會不得不把他的Olympus相機直接放在電視機前,因為這部簡單的相機既沒有自動測光也沒有變焦鏡頭。

On the Asket/Nera pictures no such color dot grid of the television monitor is detectable that would distort the photos for even a minimal enlargement.
在Asket和Nera的照片上,並沒有電視屏幕這種即使是最小的放大也會使照片失真的色點網格被檢測到。

Conclusion: The pictures were forged without Billy Meier’s knowledge either by photographer S. directly, or at least with his assistance, after he was severely threatened by the “Men in Black” organization.
結論:這些照片是在Billy Meier不知情之下由攝影師S.直接地偽造的,或者至少在他的協助下,在他受到「黑衣人」組織嚴重的威脅之後。

The look-alike faces and maybe other features of the two entertainers were copied into Billy’s original photos. This fact is obvious to a determined fastidious scrutinizer when abnormalities are observed by making a thorough comparison of the pictures. Obviously, the forgers got a little carried away in their work because they simply forgot to take into consideration the color dots of the cathode tube upon which the previous claim could be based. However, neither round nor square colored light dots can be observed which are still common on TV monitor tubes even today. This invalidates, therefore, the claim that the pictures were photographed from a TV monitor.
兩個面孔或其他特徵酷似的藝人被複製到Billy原本的照片中。這個事實對於一個果斷挑剔的審查人員而言很明顯,當這些異常情況都透過進行一次與這些照片的徹底比較就會被觀察到。顯然,偽造者在他們的工作中有點得意忘形了,因為他們根本忘了考慮到先前建基於其上的斷言的陰極管色點。然而,無論是圓形抑或是方形的彩色光點都可以被觀察到,那在今天的電視屏幕仍然很普遍。所以,這些照片從電視屏幕中拍攝而來的斷言無效。

Still, the forgers went to great lengths to be painstakingly meticulous in their task. Billy Meier’s photo reveals small curls below Asket’s earlobes, which were until now cause for wild rumors. Her earlobes, however, cannot be seen on the photo and in reality they are merely a little more than one centimeter longer than a terrestrial human’s. On the picture of the revue dancers the two curls are noticeable; they are not earlobes as many people misinterpreted them, but two curls of her hair.
此外,偽造者在他們的工作上苦心孤詣地費盡九牛二虎之力。Billy Meier的照片展示出Asket的耳垂有點向下捲曲,這點至今造成了一些謠言。然而,她的耳垂在照片中無法被看到,事實上,它們只是比地球人類的略長1厘米而已。在歌劇團舞者的照片上那兩個耳垂捲曲得很明顯;正如很多人誤會了一樣它們並不是耳垂,她那兩處曲捲物只是頭髮。

Not until July 1976 did Billy purchase his first color TV unit (brand SABA) from Mr. Bär’s Bauma store, whereas the photos of Asket and Nera were taken a year earlier, on June 26, 1975.[2]
直到1976年07月Billy才從Bär先生的Bauma店內購入他的第一部彩色電視機(SABA品牌),而Asket和Nera的照片在一年前就拍攝了,於1975年06月26日-[注]。

利昂注释:

此处时间标注应为“1975年07月17日”,但不知为何原作者却将其标注为了“1975年06月26日”。

Michael Hesemann, the rational ufologist who recognizes the truth, expressed himself with these words about the Asket/Nera photo forgeries:
理性的不明飛行物研究家Michael Hesemann,他意識到真相,對於Asket/ Nera的照片偽造品他自己以這些說話來表達:

“Among defamers and know-it-alls, the matter is simply such that the truth is interpreted as a feeble excuse. And yet, when one does not express the truth, one is accused of camouflaging it.”
“在誹謗者與自以為全知者當中,事情是這樣的,真相以一個站不住腳的理由來解釋。然而,當一個人不展示真相時,那個人就會被指控為掩飾。”

For negators, know-it-alls and defamers you can do whatever you wish, in other words, you can stick to the truth or hide it. You’ll never do the right thing by them, because they are determined to negate, know everything better, and defame. The fact is always looked upon as the least likely of the alternatives. This is the way of terrestrials and it cannot be changed.
對於否認者、自以為全知者和誹謗者你可以做任何你想做的,換句話說,你可以堅持真理或將其隱藏。你永遠也不會透過他們做正確的事,因為他們決心去否定,什麼也知道得更清楚,並且誹謗中傷。事實是,始終看成最不可能的。這是地球人的方式,而且這不可能被改變。

We will continue selling the photos, albeit with a new caption stating that they depict two American Asket/Nera look-Note th…
我們將會繼續推銷這些照片,儘管有一個新的標題說明它們所描繪的是兩名與Asket/ Nera外貌極相似的美國人。


Conclusion
結論:

Although they were forged by someone else’s hand, which we regret of course—at least the photos are embroiled in a situation which makes the investigation into the truthfulness of the Billy Meier Case’s content even more interesting and convincing.
雖然它們經他人之手被偽造了,我們當然感到遺憾,但至少照片捲入這種情況使對Billy Meier個案的內容真實性的調查會更有趣和更有說服力。

中譯者註釋:

该文最终解釋了一個事實,實際是1975年在Plejaren的飛船上由Billy為Asket和Nera所拍攝,而隨後被MIB以偽造物替換掉。

An extremely unpleasant matter
一件极不愉快的事

Retrieved from thewaybackmachine i.e archive.org – figu.org november 1999. From menu ‘interesting information’ and hyperlink ‘An extremely unpleasant matter’.
检索自往期数据,如:archive.org -[FIGU.ORG],1999年11月。源自“interesting information/有趣的资讯”主题以及超链接“An extremely unpleasant matter/一件极不愉快的事”。

https://web.archive.org/web/20010425223742fw
http://www.figu.org:80/us/publications/index.htm


Billy:
Billy:

During my latest contact conversation with Ptaah, some extremely unpleasant facts came to light regarding the two Asket and Nera photographs which, until now, had been indexed in the FIGU photo albums and sold under this “Asket and Nera” caption.
在我与Ptaah最近的一次接触谈话中,一些极度令人不快的事实曝光了,这涉及那两张Asket和Nera的照片,到目前为止,这些照片已经被编入FIGU相册辑的索引,并在“Asket and Nera/Asket和Nera”这个标题下出售。

Unfortunately, during my conversation with Ptaah he revealed that the two women depicted on the photos are not Asket and Nera from the DAL Universe, but two American look-alikes, as Ptaah had stated in the 39th Contact from 1975.
不幸的是,在我与Ptaah的谈话中,他(向我)透漏照片上展示的两名女性并不是来自「DAL Universe/DAL宇宙」的Asket和Nera,而是两个与她们(容貌)十分相似的美国人,正如Ptaah曾在1975年的第39次接触中所阐述的那样。

These photos are malicious hoaxes and were switched upon the order of and in collaboration with the “Men in Black.”
这些照片是蓄意的恶作剧,是涉事者通过与“「Men in Black/黑衣人」”的合作对底片做了手脚。

The related, specific explanations can be gleaned from excerpts of the latest contact report that follows below, which will serve to clarify the situation for all friends, members, acquaintances, and interested parties as to the connections and contemptible machinations of the “Men in Black” and their hired helpers.
(与此)相关的、具体的解释可以从后续最新(发布)的接触报告摘录中获知,这将有助于向所有朋友、成员、熟人和相关方做出澄清…(说明)“「Men in Black/黑衣人」”与其雇佣帮凶之间的联系及其卑鄙的阴谋。

In addition, I would like to mention that the said three photographs with the numbers 109, 110, 111 will not be removed from our photo selection.
另外,我(还)想说的是:被提及的这三张照片,109#、110#、111#,将不会从我们的照片选项中(被)移除。-[注]

资讯注释:

(It is unfortunate that only two pictures are ever mentioned in the contact report, but #109 was simply not good enough for distribution.)
不幸的是,接触报告中仅展示了其中两张照片,因为109#照片的品质并不足以发布。

Instead they will receive a new caption stating that the two young women in the photograph are American look-alikes of Asket and Nera who resemble the originals so much that it is practically impossible for anyone to tell them apart—except for the ladies themselves.
不仅如此,这三张照片还有一个全新的标题,从而说明照片中的两位年轻女性…是与Asket和Nera(容貌)相似的美国人,她们与Asket和Nera如此相像,以至于除了女士们自己外,几乎不可能有人将她们区分出来。

Here then are the excerpts from the contact report dated May 14, 1998.
如下是264#接触报告(1998年05月14日)的摘录。

  • 264th Contact Report
  • 第264#接触报告:
  • Thursday, May 14, 1998, 0:55 a.m.
  • (1998年05月14日,周四,00:55)

Ptaah
2. Thursday, May 14, 1998, 0:55 a.m.
2. 只管告诉我你想要说的。

Billy
OK, fine:
好的,好吧:

Billy
Once again something is preoccupying me that I cannot understand.
(最近…)又有一些让我无法理解的事情占据了我的思绪。

Billy
It is linked with conspiracies and defamations which, by and large, don’t bother me but they do raise several questions.
这涉及一些阴谋和诽谤,总体上来说,这并不会困扰我,但它们确实引发了几个问题。

Billy
You are familiar with that schemer and defamer Korff and this Luc Buergin.
你很熟悉这些阴谋家和诽谤者,Korff和这个Luc Buergin。

Billy
Together they recently taped an interview with my dear ex-wife which they intend to disseminate worldwide as a videotape in July, apparently with an explanation or “exposé” regarding the two photos of Asket and Nera that I, allegedly, photographed from a television unit, and which are said not to be Asket and Nera but two American Asket/Nera look-alikes.
最近,他们合作录制了对我亲爱的前妻的一次采访,并打算在七月份将这次采访以录像带的形式在全球传播,显然,他们这么做是为了…以某种解释或“exposé/揭露”关于那两张据称是我从某个电视台拍摄的“photos of Asket and Nera/Asket和Nera的照片”,从而说明照片中的两个人并不是Asket和Nera,而是两个与Asket/Nera容貌相像的美国人。

Billy
You mentioned them yourself in Contact 39 when you stated that two young women live in America who work in the same business, and are spitting images of Asket and Nera.
你曾在第39次接触中,提到过这两名生活在美国的年轻女性,这两个人在同一家公司工作,容貌与Asket和Nera非常相似。

Ptaah
3. The two photographs do show the two look-alikes from America.
3. 这两张照片确实展示了那两位来自美国的相似者。

Billy
How do you mean that??
你那是什么意思?

Billy
I personally took the pictures of Asket and Nera.
这可是我亲手拍的“photos of Asket and Nera/Asket和Nera的照片”啊。

Ptaah
4. This is a fact. However, the problem is that you never received the original photographs, which would have been printed from your original negatives.
4. 这是事实。然而,但问题在于你从未收到过源版照片,它们本应该从你的源版底片上打印出来。

Billy
I don’t understand?
我不明白?

Ptaah
5. Are you really unable to remember the incident?
5. 你真的不记得这件事了吗?

Billy
What am I supposed to remember?
我该记住什么?

Ptaah
6. Quetzal’s and my visit on February 3, 1985, when we explained to you a few of the connections as they pertained to the photographs you just mentioned.
6. 1985年02月03日,当我与Quetzal来此访问时,曾向你解释过一些…与你刚才所提及照片相关的…关联(线索)。

Billy
I have no recollection of this.
我不记得这件事啊。

Billy
What happened at that time?
当时说了什么?

Ptaah
7. We revealed to you then that you had received fraudulent pictures which depict neither Asket nor Nera.
7. 我们随后曾向你透露,你收到的欺诈性图片既没有描述Asket,也没有描绘Nera。

Billy
Now I don’t understand anything anymore.
现在,这让我更不解了。

Ptaah
8. Oh, now I see.
8. 哦,我现在明白了。

Ptaah
9. You really have forgotten everything, and with certainty this is linked to your life-threatening condition at the time, including your partial amnesia. That is why you are unable to remember many of these things.
9. 你真的忘记了所有事,这肯定与你当时所面临的危情有关,(还)包括你时有的健忘症。这就是你为什么无法记住许多这些事的原因。

Billy
Please do not keep me in suspense now.
现在,请不要让我接着蒙圈。

Ptaah
10. At the time we did not wish to deal with these matters on a public level.
10. 当时,我们(即:Plejaren)并不希望在公开层面上处理这些事。

Billy
But I do feel that this issue must be addressed if I hold fraudulent Asket/Nera photographs, which I have been selling with such a caption until now.
但我确实认为…如果我(确实)持有欺诈性的“photos of Asket and Nera/Asket和Nera的照片”的话…那就必须解决这个问题,(因为)到目前为止,我一直在用这个标题出售这些照片。

Billy
If this is actually the case, they’re really going to go after me ferociously.
如果情况确实如此的话,那他们真的会凶狠地追究我的。

Ptaah
11. Well, it isn´t really your fault. Blame must be directed toward your photographer. He allowed himself to be forced into such a fraudulent scheme by a group of “Men in Black,” and then he cheated you with the resulting photographs.
11. 然而,这并不是你的错。你的摄影师,才是那个应该接受指责的人。他让自己被一群“「Men in Black/黑衣人」”逼进了这样一个骗局,然后他用已经做了手脚的照片欺骗了你。

Billy
I am familiar with that riffraff.
我对那些混蛋(即:“「Men in Black/黑衣人」”)再熟悉不过了。

Billy
Several of them pursued my daughter Gilgamesha once when she was coming home from school.
他们中的几个人有一次曾追逐我的女儿Gilgamesha,当时她正走在从学校回家的路上。

Billy
One of them chased her with a knife in his hand.
其中一个人手里拿着刀追赶她。

Billy
When they couldn’t catch her, the cowardly bums escaped in a large, black limo.
当他们(最终)没能抓住她时,这些胆怯的痞子就钻进一辆黑色的豪华轿车里逃跑了。

Ptaah
12. I am familiar with the story.
12. 我很清楚这件事。

Ptaah
13. But hear this then:
13. 但接下来听着:

Ptaah
14. It seems that I must again relate all the information to you now, and this time in a way that brings it before the public, providing you wish to record this conversation for future use?
14. 看来我现在必须再次把所有(与之相关的)信息都给你联系在一起,而且这一次,在你愿意将这次谈话内容记录下来以备未来之需的前提下,将其公之于众。

Billy
For sure.
那当然。

Ptaah
15. All right then:
15. 那好吧:

Ptaah
16. From the beginning of the contacts with us you never allowed yourself to be intimidated by any of the schemes of the “Black Men,” regardless of how despicable, dangerous, indeed, lifethreatening they were. Since you simply laughed at their assassination attempts and always carried a weapon—with the appropriate gun license, I must add—the “Black Men”, instead, resorted to making you look preposterous and highly questionable before the world.
16. 从最初与我们(即:Plejaren)接触开始,你就从未让自己被“Black Men/黑(衣)人”的任何阴谋所吓倒,无论这些阴谋有多么卑鄙、危险,甚至是危及(你的)生命。因为你只是对他们的刺杀企图一笑置之,并总是随身携带一件武器(当然,你拥有相应的枪支许可证,这点我必须注明),然而,这些“Black Men/黑(衣)人”,却总是致力于让你在全世界面前显得荒谬和高度可疑。

Ptaah
17. Because they were unable to get close enough to you, they aggressively forced people who worked with you, such as photographer S., to discredit you in a future, long-term basis.
17. 因为无法近距离接近你,他们就只能积极地胁迫那些与你合作的人,比如:摄影师S.,通过长线布局,以期在未来某一时刻诋毁你。

Ptaah
18. They coerced S. into forging the photographs you had taken with our permission. In other words, they made him completely forge or adulterate your pictures.
18. 他们强迫S.伪造了你…经由我们(即:Plejaren)允许…拍摄的照片。也就是说,他们迫使他完全伪造或篡改了你的照片。

Ptaah
19. Several times during your early contact period with us, your own films, which you had photographer S. develop and make prints of, were substituted with totally different, adulterated films. Therefore, from the very beginning you received many counterfeit negatives and photographs or adulterated pictures.
19. 在你与我们(即:Plejaren)接触的早期,有几次你让摄影师S.冲洗并打印你自己的照片,这些胶片随后就被完全不同的假胶片所取代了。因此,在最初的时候,你就已经收到许多仿造的底片和照片,又或是假照片了。

Ptaah
20. This is also what occurred with the film on which you recorded the images of Asket and Nera, and which you allegedly did receive back after several months only. But in reality what you received was, in fact, a product of the “Black Men” who had discovered and photographed Asket’s and Nera’s doubles in America. These pictures were then processed and given to you by S.
20. 同样的事也发生在了你拍摄的“photos of Asket and Nera/Asket和Nera的照片”的胶片上,且那些胶片据称是你在几个月之后才收回来的。但事实上,你收到的其实是“Black Men/黑(衣)人”的作品,他们在美国发现了与Asket和Nera容貌相似的两名美国女性,并对后者拍了照。这些照片随后被处理并经由S.转交给了你。

Ptaah
21. You, of course, believed they were the originals, but they were forgeries and deceptively similar to your own, authentic photographs.
21. 作为你,当然会认为它们是源版的,但(事实上)它们是伪造的,而且与你自己真实的照片高度相似。

Ptaah
22. For this reason you did not realize you had been defrauded, and neither did we.
22. 出于这个原因,你并没有意识到自己被欺骗了,我们(即:Plejaren)也没有。

Ptaah
23. In fact, we were unaware of this deceit until the autumn of 1984, when we brought your photos to Asket because she, too, wanted to have them.
23. 事实上,直到1984年的秋天,我们(即:Plejaren)将你的照片带给Asket(因为她也想拥有这些照片)时,我们(即:Plejaren)才意识到了这一点。

Ptaah
24. Of course, she noticed the deception immediately, and because of this, we began investigating the matter and discovered that the “Black Men” were behind the entire scheme and it was they who had forced the photographer into their services.
24. 当然,Asket在第一时间就识别出了这个骗局,也正因为如此,我们(即:Plejaren)开始着手调查此事,并发现“Black Men/黑(衣)人”是整件事的幕后黑手,是他们胁迫摄影师参与了他们的阴谋。

Ptaah
25. Upon their mandate, S. produced the forged photographs and handed them to you as though they were originals—whereupon you always assumed they were the actual photographs you had taken yourself. This was the case also with the pictures of Asket and Nera.
25. 在他们的授意下,S.制作了伪造的照片并将它们转交给你,就好像它们是源版的一样,由此,造成你总是认为这些照片就是你亲手拍摄的那些照片。这种情况同样也发生在了“photos of Asket and Nera/Asket和Nera的照片”上。

Ptaah
26. With regard to these particular photos, we discovered that S. immediately submitted the film, which you had just handed in to him for processing, to the “Black Men,” respectively “Men in Black,” as people in your ufological circles call them. Within a few days they found and repeatedly photographed the Asket/Nera look-alikes, and this is how the two pictures came into being with which you are familiar and which were passed on to you.
26. 有关这些特定的照片,我们(即:Plejaren)发现…S.在你把底片交给他冲洗的第一时间里,就将其交给了“Black Men/黑(衣)人”,也就是“「Men in Black/黑衣人」”,正如你们飞碟学圈儿里的人以此称呼这些人的那样。在接下来的几天时间里,他们发现并反复拍摄了与Asket/Nera(容貌)相似者的照片,这就是这两张你熟悉的照片是如何(最终)传到你手中的来龙去脉。

Ptaah
27. The Gizeh Intelligences play somewhat of a role in this matter too, as you are well aware.
27. 「Gizeh Intelligences/吉萨智能人」同样在这件事中发挥了一定的作用,对此你很清楚。

Ptaah
28. Although we were unable to clarify their exact association within this plot.
28. 虽然我们(即:Plejaren)尚未摸清他们与此事的确切关联。

Ptaah
29. Clearly, however, they negatively influenced a vast number of terrestrials through their telepathic impulses, in an effort to harm, defame and even assassinate you, which they attempted several times—fortunately without success.
29. 但显然,他们有通过他们的心灵感应脉冲…负面地影响了大批「Terran/地球人」,使之企图伤害、诽谤甚至是刺杀你,事实上,他们已经尝试的多次,幸运的是没有一次成功。

Ptaah
30. Everything was being done to make you and your mission appear preposterous, specifically by accusing you of producing photographic forgeries.
30. 所有这一切都是为了让你(本人)和你的任务显得荒谬,特别是通过指控“你在伪造照片”。

Ptaah
31. The “Men in Black” wield their impact even today, and so do the decade-old influences of the negative telepathic impulse machinations against you and your mission, which shall be destroyed.
31. 时至今日,这些“「Men in Black/黑衣人」”仍在发挥他们的影响力,而那些近十年来针对你(本人)和你任务的负面心灵感应脉冲的阴谋诡计,同样也是如此,但这些阴谋终会被摧毁。

Ptaah
32. The impulses by these Gizeh Intelligences presumably affect all those people who are working against you and the mission with their schemes, defamations, and other negative machinations, although these individuals never realize they are being influenced by these impulses.
32. 那些由「Gizeh Intelligences/吉萨智能人」发出的脉冲,很可能会影响所有那些致力于…凭借其诡计、诽谤和其它负面的阴谋…来反对你(本人)和(你的)任务的人,尽管这些人从不会意识到他们正受制于这些脉冲的影响。

利昂注释:英译本未显示Ptaah第33#陈述,以及Billy在此期间与之沟通的对话文本。

Billy
What am I going to do now with the photos?
那我现在要如何处置这些照片呢?

Billy
Under these circumstances I can no longer use or sell them.
在这种情况下,我肯定不能再(继续)使用或是出售它们了。

Billy
I really feel like a crook now after claiming they were photos of Asket and Nera.
在申明它们就是“photos of Asket and Nera/Asket和Nera的照片”之后,我现在真的感觉自己像是一个骗子。

Ptaah
34. You are not guilty in this matter.
34. 你在这件事上并没有做错什么。

Ptaah
35. But you could simply continue selling them with a new caption explaining that the two ladies are “American look-alikes of Asket and Nera.”
35. 然而,你可以使用全新的标题继续出售它们,并解释照片中的两位女士是“American look-alikes of Asket and Nera/美国版的Asket和Nera”。

Billy
This scheme involving the Asket and Nera photos dates back to 1975 or so, a very long time ago.
这个涉及“photos of Asket and Nera/Asket和Nera的照片”的事情(居然)可以追溯到1975年前后,那是很久以前了。

Billy
And yet, the consequences are only appearing now?
那后来呢,真相直到现在才被揭示吗?

Billy
That’s what I call a long-term calculation.
这就是我所说的“a long-term calculation/放长线,钓大鱼”。

Billy
This is astounding.
这太令人震惊了。

Billy
The situation actually warrants my respect.
事实上,这个“局”真让我佩服。

Billy
But why didn’t we record this as part of a contact report?
但是,我们为什么不把这些作为接触报告的一部分记录下来呢?

Billy
Then we could have openly clarified this matter much sooner.
那样的话,我们就能从一早公开澄清这件事了。

Ptaah
36. Unfortunately, it could no longer be handled on your end.
36. 不幸的是,这些资讯(当时)不能再在你的接收端(即:大脑)上处理了。

Ptaah
37. After your last contact with Quetzal on October 31, 1984, and after you had finished your OM book, your health was in such an appalling state that for several years you were closer to death than to life. For this reason you were incapable then of jotting down the contact conversations.
37. 1984年10月31日,在你完成与Quetzal的最后一次接触之后,而且是在你完成你的「OM」一书之后,你的健康就一直处于很糟糕的状态,以至于在那之后的几年时间里…你都徘徊在死亡的边缘而不是朝向生命。出于这个原因,你(当时)无法再记录接触谈话的内容(即:接受报告传输)。

Ptaah
38. By November 17, 1989, your health and strength had finally improved to the point where you were able to record our conversations again in writing.
38. 直到1989年11月17日,你的健康和体力才最终改善到…足以支撑你再次以书面的形式…记录我们之间的谈话。

Billy
How is it possible that I forgot all of this . . .
怎么可能…我会忘记所有这些事呢…

Ptaah
39. You know yourself how many things and facts you had to relearn and how many other things you were unable to relearn at all.
39. 你知道自己要重新学习多少事情和事实;与此同时,你也知道有多少其它的事情…是你根本也无法重新学习的。

Ptaah
40. Furthermore, your memory had been organically damaged, and this is the reason why it cannot be as active as it was previously.
40. 除此之外,你的记忆力已经在有机层面(即:器官层面)被破坏了,这就是它为什么不再像之前那样活跃的原因。

Ptaah
41. Just remember the power and capabilities your consciousness possessed when it allowed you to accomplish those many astonishing feats.
41. 当你在意识层面所拥有的力量和能力,允许你达成那些诸多惊人之举时,只要记住它们(即:意识层面所拥有的力量和能力)就行了。

Billy
It is unfortunate, but that’s the way it is, I know . . .
这很不幸,但这就是事实,我明白…

利昂注释:英译本未显示Ptaah第42#~61#陈述,以及Billy在此期间与之沟通的对话文本。

Billy
But now I just remembered another question regarding the “Men in Black” and their machinations with the look-alike photos and the photographer:
但现在,我刚想起了另一个有关“「Men in Black/黑衣人」”以及他们所谋划的…涉及容貌相似者的照片和摄影师的阴谋的…问题:

Billy
How could the “Men in Black” find the two American women so easily and quickly, and then photograph them in the right way?
“「Men in Black/黑衣人」”是如何做到…能如此容易且迅速地找到那两名美国女性,然后又以正确的角度拍下她们的照片的呢?

Ptaah
62. These “Men in Black,” as they are called because of the black clothing they constantly seem to wear, have always had access to unfathomable resources—or what normal people or citizens, rather, would consider them to be. It was a simple task for them to locate the two young artists.
62. 这些“「Men in Black/黑衣人」”,因其看起来经常穿着的黑色衣服,而被称作“「Men in Black/黑衣人」”,这些人总是能够获得各种不可思议的资源,又或是那些在正常人或(普通)公民看来遥不可及(/无法触碰)的资源。对他们来说,找到两位年轻的艺术家是小事一桩。

Ptaah
63. Once these extremely unscrupulous men set their mind to something, nothing remains hidden from them.
63. 一旦这些极端肆无忌惮的男人将他们的心思用在某件事上,就没有什么能躲开他们。

Ptaah
64. The photos of these look-alikes, of whom I actually spoke during the 39th contact on December 3, 1975, were not taken in the presence of the two young women. Instead, their images were copied from movie footage to which the “Men in Black” had gained access.
64. 这些相似者的照片,也就是1975年12月03日,在第39次接触期间,我确实有提及的相似者的…照片,并不是在这两名年轻女性面前拍摄的。事实上,她们的照片是从“「Men in Black/黑衣人」”获得的某个电影脚本中复制出来的。

Ptaah
65. I believe this genre of film is called a “revue.”
65. 我相信此类型的电影被(你们)称做“revue/讽刺剧”。

Ptaah
66. In any case, individual photographs were copied from it and, together with photographer S., they selected those which most closely resembled your own photos of Asket and Nera. This is how they were able to deceive you.
66. 无论如何,人物照片就是从这些电影脚本中复制出来的,摄影师S.有参与其中,他们从中选择了那些…与你自己的“photos of Asket and Nera/Asket和Nera的照片”…最为相似的照片。这就是他们如何骗到你的。

Ptaah
67. The purpose of the entire matter was to create pictures of specific situations identical to those you had taken of Asket and Nera.
67. 整件事的目的,就是制作…与你拍摄的“photos of Asket and Nera/Asket和Nera的照片”具有相同特定情境的…照片。

Ptaah
68. The objective was for you to normally, and unsuspectingly, disseminate and sell these counterfeit, or rather forged, photographs of the two look-alikes to interested parties, believing them to be original pictures of Asket and Nera.
68. 目的就是让你们可以正常地,毫不怀疑地,面向那些对此感兴趣的人士传播和出售这两张仿造的,或者更确切地说,是伪造的、容貌相似者的照片,从而使之相信照片中的人物就是Asket和Nera的源版照片。

Ptaah
69. This scenario was intended to make you look deceitful one day because, so they calculated, sooner or later one of your adversaries would examine these photographs and get to the bottom of the matter—with the result that the forged Asket/Nera pictures in the so-called review film would be recognized as the photos you were holding of those look-alikes.
69. 这个“局”的目的,就是为了让你在未来的某一天看起来是欺骗性的,因为根据他们的谋划,你对手中的某一个迟早会检查这些照片,以期弄清事实真相,这样一来,在所谓复审胶片(过程)中(将被发现)的伪造的“photos of Asket and Nera/Asket和Nera的照片”,就会被认为是你拿相似者照片冒充的。

Ptaah
70. This, then, was meant to provide the evidence for exposing you as a purported deceiver and make you and your story look preposterous and, subsequently, destroy your mission.
70. 这样,也就提供了一个揭示你为“一个据称是欺骗者”的证据,从而让你(本人)和你的故事看起来荒诞不经,进而摧毁你的任务。

Ptaah
71. All of this was thoroughly pre-programmed in 1975 by the “Men in Black.” They concluded that the appropriate photo sequences would be found in the near future—which appears to have transpired now—and the photos would be fully exploited by your enemies soon afterwards.
71. 所有这一切,都是“「Men in Black/黑衣人」”在1975年就已经预编好的。他们得出的结论是:在不远的将来,合适的照片序列将被找到(似乎现在就已经被发现了),而在那之后不久,这些照片将很快被你的敌人们充分利用。

Ptaah
72. As far as we are concerned, there is no doubt that your and your mission’s enemies are purely terrestrial beings under the influence of the long-term and still-active Gizeh impulses.
72. 就我们而言,毫无疑问,那些反对你(本人)和你任务的敌人,都纯粹是长期受制于…仍然活跃着的「Gizeh/吉萨」脉冲影响下的…“terrestrial beings/地球生物”。

Billy
Korff and Buergin too?
Korff和Buergin也在其中?

Ptaah
73. Without any doubt.
73. 毫无疑问。

Billy
Now that you have brought up so much about the “Men in Black,” I have another question:
现在,既然你已经提及这么多涉及“「Men in Black/黑衣人」”的话题,我还有另外的问题:

Billy
Quetzal told me once that these men are also responsible for an assassination attempt on my life.
Quetzal告诉过我:这些人也曾发起过一次针对我性命的暗杀企图。

Billy
Which attempt was that?
是哪一次呢?

Ptaah
74. There was not only one attempt. Truthfully, eleven of the fourteen assassination attempts can be traced back to the “Men in Black.”
74. 不只是一次企图。实话讲,十四次暗杀企图中有十一次都可以追溯到这些“「Men in Black/黑衣人」”。

利昂注释:英译版未显示Ptaah第75#~97#陈述,以及Billy在此期间与之沟通的对话文本。

Billy
So, you are saying that on February 3, 1985, you and Quetzal explained all of this to me about the so-called Asket/Nera photos, which actually depict the American doubles you had mentioned in the 39th contact?
所以,你是说:早在1985年02月03日,你和Quetzal就已经向我解释了有关与这些所谓的“photos of Asket and Nera/Asket和Nera的照片”的所有事,并且这些照片实际描绘的,也正是你在第39次接触中所提及的那两个美国人?

Billy
Well, unfortunately, I simply can’t recall any of this, I have really forgotten it completely.
这,很不幸的是,有关于此的一切我一点儿也想不起来了,我真的完全忘记了。

Billy
Now I want to ask you why you have not reminded me of these facts until now?
现在,我想问你:为什么直到现在,你都没有提醒我这些事实呢?

Billy
If I had consciously absorbed this information, I would have removed the pictures from circulation and published the appropriate details in our quarterly publication, the Wassermannzeit.
如果我有意识地接收到这些信息,那我一定会将这些照片从发行窗口移除,并在我们的季刊“「Wassermannzeit/水瓶座时代」”中公布有关这件事的适当细节的。

Ptaah
98. For all these years we were not consciously aware that you had forgotten our explanations regarding these matters, otherwise we would have, of course, pointed them out to you at the appropriate time.
98. 这些年来,我们(即:Plejaren)并未意识到你已经忘记了我们(即:Plejaren)之前针对这些事所给出的解释,否则,我们(即:Plejaren)肯定会在适当的时间和你阐明这些事的。


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Asket and Nera Photos/Asket和Nera的照片”的一个响应

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